Digital Illustrators Highlight the Potential of Engaging Images in Promoting Learning and Diversity among Children at SCRF 2021

US-based Matt Lamothe and Emirati artist Aysha Al Hemrani participate in a cultural discussion organised in Dubai by the 12th Sharjah Children’s Reading Festival

 
Sharjah, May 25, 2021:  Prominent children’s book illustrators offered insights into the potential of illustrations in enhancing children’s enjoyment and understanding of stories, and its evolution to the digital format, at a panel discussion titled ‘Digital Illustrations’ hosted at the Al Safa Art and Design Library in Dubai as part of the expanded cultural outreach agenda of the 12th edition of the Sharjah Children’s Reading Festival (SCRF). 

The session hosted Matt Lamothe, a US-based illustrator and author, and self-taught Emirati digital artist, Aysha Al Hemrani, and was moderated by Emirati poet, Shaikha Al Mutairi.

Speaking at the session, Al Hemrani, illustrator of Two Great Leaders - penned by His Highness Sheikh Mohammed bin Rashid Al Maktoum, Vice President and Prime Minister of the UAE and Ruler of Dubai, said: “I specialised in this field to present characters for my fellow Emiratis that look like us in their countenance, costumes, habits, and traditions. We are used to seeing interesting characters in Japanese Manga and other comics, and although they are beautiful, they do not look like us.”

It is the social environment she has grown up in that is the inspiration behind her characters, added the Emirati artist.

Discussing the nature and form of the relationship between the author and the illustrator, Al Hemrani said: “From my personal experience, I have come to believe that a positive collaboration between the author and the illustrator can have a significant impact on the final product. Most authors have a vision of what they would like to see, and it is through discussions that an illustrator can create characters that best fit those ideas.”

In response to a question on the differences between the traditional and digital illustration approaches, Matt Lamothe said: “The difference lies primarily in the evolution process. I respect the style of the traditional approach; their significance and value cannot be underestimated. I was a champion of this school until I moved to the digital format which has since helped me save money, time and effort.”  

He added: “Both styles share the same fundamental requirements and call for the same kind of skills. The main difference is that the digital approach is quicker and easier; and it is easier to correct mistakes without having to restart the work from scratch as is often the case in the traditional approach.”